«If music was a purely aesthetic experience, I don’t think it would occupy the central place it does in our affairs. It must make waves in the environment and have repercussions beyond the concert hall.» That is what Cornelius Cardew said in a …

The International Contemporary Ensemble, "America's foremost new-music group" (New Yorker), presents two programmes in honour of George Lewis: one as part of Composing While Black, the other (Polyaspora, 23.11, 8:00 pm) with major works by Lewis, Chaya Czernowin and Hannah Kendall. …

In her gruesome story Among Murderers and Madmen, Ingeborg Bachmann shows what happens "when the world becomes smoke and madness in the taverns of the villages, in the extra parlours, in the back rooms of the big restaurants and in the wine cellars …

Seven solo pieces for percussion form an open cycle: reduced to the essentials, without electronics, close to direct sound practice. Each work explores an instrument as an entire world of sound, develops for each their own techniques for manipulation and plays with the …

The New York quartet presents works by Arnold Schönberg, Hannah Kendall and Tomazs Skweres. …

John Zorn's Cobra was created in 1984 and is a legendary Game Piece: a system of detailed rules without a fixed sequence. Cards with cue words control the musicians' reactions, a prompter steers the action. The cast, duration and progression are open. All …

Elisabeth Harnik wrote Presences and Absences specifically for ensemble]h[iatus – a changeable puzzle of sound that takes on new forms depending on the instrumentation. The piece will be premiered at Wien Modern and accompanied by works by Fabrice Charles and Helmut Lachenmann. …

Two singers and two dancers, accompanied by a piano on a ship and a clarinet, travel backwards through life. The audience travels with them. Always in their luggage are the great polarities – sleeping and waking, living and dying. In five stations, Ruth …

Songs and Voices by Francesca Verunelli (photo) is one of the great musical achievements of recent years. The multi-layered and forceful cycle consists of six works with varying instrumentations. These range from a farewell song to the composer's young late sister, to The …

Two singers and two dancers, accompanied by a piano on a ship and a clarinet, travel backwards through life. The audience travels with them. Always in their luggage are the great polarities – sleeping and waking, living and dying. In five stations, Ruth …

To mark the 50th anniversary of the ensemble, Wien Modern and the oenm are presenting the co-production Archipel Life, an expansive new spatial composition by Clemens Gadenstätter, which can be experienced in Salzburg and Vienna in autumn 2025. Gadenstätter is a master of …

For 25 years, Vera Fischer, Krassimir Sterev and Michael Moser have dedicated themselves to contemporary chamber music in an unusual line-up of flute, accordion and cello. At Wien Modern, they present two world premieres: Francesca Verunelli's La nuda voce II and Jack Sheen's …

To mark the 50th anniversary of the ensemble, Wien Modern and the oenm are presenting the co-production Archipel Life, an expansive new spatial composition by Clemens Gadenstätter, which can be experienced in Salzburg and Vienna in autumn 2025. Gadenstätter is a master of …

For 25 years, Vera Fischer, Krassimir Sterev and Michael Moser have dedicated themselves to contemporary chamber music in an unusual line-up of flute, accordion and cello. At Wien Modern, they present two world premieres: Francesca Verunelli's La nuda voce II and Jack Sheen's …

From the friction at the points of contact between sound and meaning, between vocal sound and vocal content, between "real" and "fake", Katharina Klement, the astonishing vocal virtuoso Isabelle Duthoit and the photo, media and light artist Sabine Maier develop the scenic performance …

"My music seems to be reliable & without malice, but there are hidden evil intentions." – Ensemble Kontrapunkte celebrates the cunning pioneer with a showcase of works from 1976 to 2017. …

From the friction at the points of contact between sound and meaning, between vocal sound and vocal content, between "real" and "fake", Katharina Klement, the astonishing vocal virtuoso Isabelle Duthoit and the photo, media and light artist Sabine Maier develop the scenic performance …

The South Korean all-star ensemble WhatWhy Art make their Austrian debut and, together with the artist Hyunju Oh and the composer Sebastian Claren, who lives in Seoul and Berlin, takes a long look at the language of the sound and form of the …

Two singers and two dancers, accompanied by a piano on a ship and a clarinet, travel backwards through life. The audience travels with them. Always in their luggage are the great polarities – sleeping and waking, living and dying. In five stations, Ruth …

The South Korean all-star ensemble WhatWhy Art make their Austrian debut and, together with the artist Hyunju Oh and the composer Sebastian Claren, who lives in Seoul and Berlin, takes a long look at the language of the sound and form of the …

Malika Kishino makes the similarities between water and music audible. Zara Ali dives into the digital wilderness. Emre Sihan Kaleli follows – loosely based on Jorge Luis Borges – the ramifications of a labyrinth. And the duo schtum, live on stage with Ensemble …

The reliable punk band among Vienna's new music ensembles invites you to expand your horizons with new pieces by Zara Ali, Jung an Tagen a. k. a. Stefan Juster, Katharina Ernst, Bernhard Lang and others. …

This Blues Opera (Austrian premiere) combines the voice of the poet and MC akua naru with the music of Tyshawn Sorey. The starting point is an oral history interview about Black women's experiences between trauma and resilience. Blues, spoken word and rap converge …

Two singers and two dancers, accompanied by a piano on a ship and a clarinet, travel backwards through life. The audience travels with them. Always in their luggage are the great polarities – sleeping and waking, living and dying. In five stations, Ruth …

"Chamber opera in an old people's home": In the retirement home „Abendsonne“ [evening sun], old and young souls meet – and this results in a not entirely unfunny attempt to arrange a rebirth ... sirene Operntheater creates a tragicomedy of survival from Tomasz …

Vienna is characterised by great linguistic diversity: The city speaks Farsi, Pashto, Serbian, Croatian and Slovenian, Turkish, Arabic and many more. This is enriched by the diversity of expression in (social) media and a young generation that speaks in images, signs and gestures. …

"Chamber opera in an old people's home": In the retirement home „Abendsonne“ [evening sun], old and young souls meet – and this results in a not entirely unfunny attempt to arrange a rebirth ... sirene Operntheater creates a tragicomedy of survival from Tomasz …

Dark shadows lie over the diverse scenes of contemporary music within the post-Soviet territory, where violent geopolitical conflicts have been taking place for years. The dialogue between composers and performers between Tbilisi and Minsk, Yerevan and Moscow, Tashkent and Kyiv, which was once …

With the large new production The Sad Album by and with Laura Bowler, the international collective lovemusic from Strasbourg, recognised by the Ernst von Siemens Music Foundation, makes its first appearance at Wien Modern – directly before the concert of Klangforum Wien, but …

"Chamber opera in an old people's home": In the retirement home „Abendsonne“ [evening sun], old and young souls meet – and this results in a not entirely unfunny attempt to arrange a rebirth ... sirene Operntheater creates a tragicomedy of survival from Tomasz …

"Chamber opera in an old people's home": In the retirement home „Abendsonne“ [evening sun], old and young souls meet – and this results in a not entirely unfunny attempt to arrange a rebirth ... sirene Operntheater creates a tragicomedy of survival from Tomasz …

Unfortunately, Bertrand Chamayou is suffering from an acute and severe tendon inflammation. As a result, the recital with Barbara Hannigan scheduled for Friday, 14 November 2025, cannot take place. Despite our best efforts, it has not been possible to find an alternative date …

For one week, the collective MMM – made up of Maja Osojnik, Mathia*s Lenz and Matija Schellander, and reinforced by Špela Mastnak – works in and on the composition WAS___. A score grows through the space: 66 metres of graphic notation open up …

"Chamber opera in an old people's home": In the retirement home „Abendsonne“ [evening sun], old and young souls meet – and this results in a not entirely unfunny attempt to arrange a rebirth ... sirene Operntheater creates a tragicomedy of survival from Tomasz …

The festival's tried-and-tested party format, this time with Mopcut, Rent a.k.a. Katrin Euller and Ganaël, among others. …

For one week, the collective MMM – made up of Maja Osojnik, Mathia*s Lenz and Matija Schellander, and reinforced by Špela Mastnak – works in and on the composition WAS___. A score grows through the space: 66 metres of graphic notation open up …

Two singers and two dancers, accompanied by a piano on a ship and a clarinet, travel backwards through life. The audience travels with them. Always in their luggage are the great polarities – sleeping and waking, living and dying. In five stations, Ruth …

Malika Kishino makes the similarities between water and music audible. Zara Ali dives into the digital wilderness. Emre Sihan Kaleli follows – loosely based on Jorge Luis Borges – the ramifications of a labyrinth. And the duo schtum, live on stage with Ensemble …

"Chamber opera in an old people's home": In the retirement home „Abendsonne“ [evening sun], old and young souls meet – and this results in a not entirely unfunny attempt to arrange a rebirth ... sirene Operntheater creates a tragicomedy of survival from Tomasz …

Dike (Greek Δίκη, "justice") is one of the Horae. These goddesses, as the daughters of Zeus and Themis, oversee the seasons and the periodicities of life in Greek mythology; Dike embodies justice. Surrounding his ensemble work from 2012, the winner of the Erste Bank …

"Chamber opera in an old people's home": In the retirement home „Abendsonne“ [evening sun], old and young souls meet – and this results in a not entirely unfunny attempt to arrange a rebirth ... sirene Operntheater creates a tragicomedy of survival from Tomasz …

For one week, the collective MMM – made up of Maja Osojnik, Mathia*s Lenz and Matija Schellander, and reinforced by Špela Mastnak – works in and on the composition WAS___. A score grows through the space: 66 metres of graphic notation open up …

The duo LABOUR stages immersive sound experiences at the intersection of ritual and club culture, with a keen eye for their political dimensions. sungazing takes the act of looking into the sun as the starting point for a performance at TQW in which …

For one week, the collective MMM – made up of Maja Osojnik, Mathia*s Lenz and Matija Schellander, and reinforced by Špela Mastnak – works in and on the composition WAS___. A score grows through the space: 66 metres of graphic notation open up …

Bouncing ping-pong balls, a sounding teapot and even an inflatable balloon become instruments: the young Salzburg ensemble NAMES, with musicians from many European countries, together with Toihaus, has developed a unique concert for people of all ages, 3 and up. Klingende Dinge [„sounding …

The duo LABOUR stages immersive sound experiences at the intersection of ritual and club culture, with a keen eye for their political dimensions. sungazing takes the act of looking into the sun as the starting point for a performance at TQW in which …

Bouncing ping-pong balls, a sounding teapot and even an inflatable balloon become instruments: the young Salzburg ensemble NAMES, with musicians from many European countries, together with Toihaus, has developed a unique concert for people of all ages, 3 and up. Klingende Dinge [„sounding …

It has almost become a tradition for Wien Modern and echoraum to co-present a prominent double programme from the wide field of improvised music. This will be with Viennese participation, but clearly surpassing the regions: The trio Hübsch Martel Zoubek, a unit since …

For one week, the collective MMM – made up of Maja Osojnik, Mathia*s Lenz and Matija Schellander, and reinforced by Špela Mastnak – works in and on the composition WAS___. A score grows through the space: 66 metres of graphic notation open up …

It has almost become a tradition for Wien Modern and echoraum to co-present a prominent double programme from the wide field of improvised music. This will be with Viennese participation, but clearly surpassing the regions: The trio Hübsch Martel Zoubek, a unit since …

For one week, the collective MMM – made up of Maja Osojnik, Mathia*s Lenz and Matija Schellander, and reinforced by Špela Mastnak – works in and on the composition WAS___. A score grows through the space: 66 metres of graphic notation open up …

For one week, the collective MMM – made up of Maja Osojnik, Mathia*s Lenz and Matija Schellander, and reinforced by Špela Mastnak – works in and on the composition WAS___. A score grows through the space: 66 metres of graphic notation open up …

The 36th Erste Bank Composition Prize is awarded to the Pisa-born composer Pierluigi Billone, now Viennese by choice, in recognition of his highly original work and his unmistakable compositional style. He describes the piece ME. Study for Ensemble as a movement between silence, …

For one week, the collective MMM – made up of Maja Osojnik, Mathia*s Lenz and Matija Schellander, and reinforced by Špela Mastnak – works in and on the composition WAS___. A score grows through the space: 66 metres of graphic notation open up …

The relationship to images has become so central that the boundaries between reality and representation are becoming increasingly blurred. The Polish-French composer and multimedia artist Pierre Jodlowski takes up this experience in a new work. The result is an atmospheric performance installation in …

With an exhibition lasting several days and a live performance evening (-> 26.11. 20:00), Der Blöde Dritte Mittwoch brings artistic positions that knowingly transcend boundaries of discipline to the Reaktor under the title Blöd und Undiszipliniert #2 [Dumb and Undisciplined]. The project brings …

Bouncing ping-pong balls, a sounding teapot and even an inflatable balloon become instruments: the young Salzburg ensemble NAMES, with musicians from many European countries, together with Toihaus, has developed a unique concert for people of all ages, 3 and up. Klingende Dinge [„sounding …

Bouncing ping-pong balls, a sounding teapot and even an inflatable balloon become instruments: the young Salzburg ensemble NAMES, with musicians from many European countries, together with Toihaus, has developed a unique concert for people of all ages, 3 and up. Klingende Dinge [„sounding …

With an exhibition lasting several days and a live performance evening (-> 26.11. 20:00), Der Blöde Dritte Mittwoch brings artistic positions that knowingly transcend boundaries of discipline to the Reaktor under the title Blöd und Undiszipliniert #2 [Dumb and Undisciplined]. The project brings …

With an exhibition lasting several days and a live performance evening (-> 26.11. 20:00), Der Blöde Dritte Mittwoch brings artistic positions that knowingly transcend boundaries of discipline to the Reaktor under the title Blöd und Undiszipliniert #2 [Dumb and Undisciplined]. The project brings …

With an exhibition lasting several days and a live performance evening (-> 26.11. 20:00), Der Blöde Dritte Mittwoch brings artistic positions that knowingly transcend boundaries of discipline to the Reaktor under the title Blöd und Undiszipliniert #2 [Dumb and Undisciplined]. The project brings …

Ensemble Kontrapunkte contributes to the Musikverein's portrait of Chaya Czernowin her two oldest works. These leave no doubt about the composer's haptic approach, rich in images and associations: Afatsim, named after the Hebrew word for galls, as caused by gall wasps on leaves, …

Together with festivals and museums in Oslo, Vienna, Warsaw and Bruges, the Norwegian ensemble Cikada has invited four composers to be inspired for a concert by the video series Children's Games by the artist Francis Alÿs. Kim Myhr invites adults to reconnect with …

Bouncing ping-pong balls, a sounding teapot and even an inflatable balloon become instruments: the young Salzburg ensemble NAMES, with musicians from many European countries, together with Toihaus, has developed a unique concert for people of all ages, 3 and up. Klingende Dinge [„sounding …

It’s impossible to rule out that this could be a legendary evening: The Ottakringer Brewery takes on the role of the Vienna City Hall. At least as far as the official presentation of the Ernst Krenek Music Prize of the City of Vienna …

Bouncing ping-pong balls, a sounding teapot and even an inflatable balloon become instruments: the young Salzburg ensemble NAMES, with musicians from many European countries, together with Toihaus, has developed a unique concert for people of all ages, 3 and up. Klingende Dinge [„sounding …

Bouncing ping-pong balls, a sounding teapot and even an inflatable balloon become instruments: the young Salzburg ensemble NAMES, with musicians from many European countries, together with Toihaus, has developed a unique concert for people of all ages, 3 and up. Klingende Dinge [„sounding …

Five outstanding musicians from Ensemble PHACE invite you to a virtuoso summit of the subtle kind: the first complete performance of Wolfram Schurig's Capricci can be experienced at Wien Modern 2025. Composed from 2016 to 2022, this triptych of three duos of the …

Bouncing ping-pong balls, a sounding teapot and even an inflatable balloon become instruments: the young Salzburg ensemble NAMES, with musicians from many European countries, together with Toihaus, has developed a unique concert for people of all ages, 3 and up. Klingende Dinge [„sounding …

"Farbfilm vergessen?" [„forgot the colour film?“] Vienna in the transformation process of the 1990s (premiere). In her sound installation, Christine Schörkhuber traces the Vienna of the 1990s: Immigration and new cultures transformed the city into a vibrant hub. Interviews with contemporary witnesses condense …

For the opening concert of the RSO Vienna, Vimbayi Kaziboni is not only involved as a conductor, but also as a curator: together with the composer, AI pioneer, scientist, trombonist and ensemble director George Lewis, he has shaped the opening programme. Hannah Kendall …

For one week, the collective MMM – made up of Maja Osojnik, Mathia*s Lenz and Matija Schellander, and reinforced by Špela Mastnak – works in and on the composition WAS___. A score grows through the space: 66 metres of graphic notation open up …

For one week, the collective MMM – made up of Maja Osojnik, Mathia*s Lenz and Matija Schellander, and reinforced by Špela Mastnak – works in and on the composition WAS___. A score grows through the space: 66 metres of graphic notation open up …

For one week, the collective MMM – made up of Maja Osojnik, Mathia*s Lenz and Matija Schellander, and reinforced by Špela Mastnak – works in and on the composition WAS___. A score grows through the space: 66 metres of graphic notation open up …

How does listening change when it becomes physical, spatial, interpersonal? The violinist Judith Fliedl is researching new concert formats that actively involve the audience at the University of Music and Performing Arts Graz. The focus here is put not only on the work, …

For one week, the collective MMM – made up of Maja Osojnik, Mathia*s Lenz and Matija Schellander, and reinforced by Špela Mastnak – works in and on the composition WAS___. A score grows through the space: 66 metres of graphic notation open up …

For one week, the collective MMM – made up of Maja Osojnik, Mathia*s Lenz and Matija Schellander, and reinforced by Špela Mastnak – works in and on the composition WAS___. A score grows through the space: 66 metres of graphic notation open up …

For one week, the collective MMM – made up of Maja Osojnik, Mathia*s Lenz and Matija Schellander, and reinforced by Špela Mastnak – works in and on the composition WAS___. A score grows through the space: 66 metres of graphic notation open up …

For one week, the collective MMM – made up of Maja Osojnik, Mathia*s Lenz and Matija Schellander, and reinforced by Špela Mastnak – works in and on the composition WAS___. A score grows through the space: 66 metres of graphic notation open up …

For one week, the collective MMM – made up of Maja Osojnik, Mathia*s Lenz and Matija Schellander, and reinforced by Špela Mastnak – works in and on the composition WAS___. A score grows through the space: 66 metres of graphic notation open up …

One of the special premieres of the Wien Modern 2025 festival is the first performance in Austria by the Korean ensemble WhatWhy Art. WhatWhy Art is an ensemble for contemporary music on traditional Korean instruments. The members are trained in the Korean traditional …

Volkmar Klien transforms the grand staircase of the Konzerthaus into a resonance laboratory: three wooden beams are bent by a historical press, their groans picked up by a microphone, amplified and answered. "The machine listens, it presses, it pulls,“ Klien writes; „a spectacle …

Volkmar Klien transforms the grand staircase of the Konzerthaus into a resonance laboratory: three wooden beams are bent by a historical press, their groans picked up by a microphone, amplified and answered. "The machine listens, it presses, it pulls,“ Klien writes; „a spectacle …

Volkmar Klien transforms the grand staircase of the Konzerthaus into a resonance laboratory: three wooden beams are bent by a historical press, their groans picked up by a microphone, amplified and answered. "The machine listens, it presses, it pulls,“ Klien writes; „a spectacle …

Volkmar Klien transforms the grand staircase of the Konzerthaus into a resonance laboratory: three wooden beams are bent by a historical press, their groans picked up by a microphone, amplified and answered. "The machine listens, it presses, it pulls,“ Klien writes; „a spectacle …

Volkmar Klien transforms the grand staircase of the Konzerthaus into a resonance laboratory: three wooden beams are bent by a historical press, their groans picked up by a microphone, amplified and answered. "The machine listens, it presses, it pulls,“ Klien writes; „a spectacle …

Volkmar Klien transforms the grand staircase of the Konzerthaus into a resonance laboratory: three wooden beams are bent by a historical press, their groans picked up by a microphone, amplified and answered. "The machine listens, it presses, it pulls,“ Klien writes; „a spectacle …

Volkmar Klien transforms the grand staircase of the Konzerthaus into a resonance laboratory: three wooden beams are bent by a historical press, their groans picked up by a microphone, amplified and answered. "The machine listens, it presses, it pulls,“ Klien writes; „a spectacle …

Volkmar Klien transforms the grand staircase of the Konzerthaus into a resonance laboratory: three wooden beams are bent by a historical press, their groans picked up by a microphone, amplified and answered. "The machine listens, it presses, it pulls,“ Klien writes; „a spectacle …

Hans G. Helms’s Fa:m’ Ahniesgwow is at once linguistic music and acoustic experiment. In his works, he deconstructs words, phrases, language of everyday and propaganda in order to reveal their hidden structures of power. Sounds and syllables are fragmented, layered and reassembled – right …

As part of the late-night programme at Cafe Korb, SFIEMA invites you on a unique trip between sounds of home and abroad: Under the title "Heimat, fremde Heimat!" the One.Night.Band meets vocal performer Sainkho Namtchylak, electronics tinkerer Phil Durrant and Herbert Lacina on …

Vienna is characterised by great linguistic diversity: The city speaks Farsi, Pashto, Serbian, Croatian and Slovenian, Turkish, Arabic and many more. This is enriched by the diversity of expression in (social) media and a young generation that speaks in images, signs and gestures. …

 “There’s a moment where you want to pass the voice on to the next generation,” says the artist Francis Alÿs. In 1999, playing children from many countries around the world started becoming the main subjects of his brilliant short films. A bottle is …

 “There’s a moment where you want to pass the voice on to the next generation,” says the artist Francis Alÿs. In 1999, playing children from many countries around the world started becoming the main subjects of his brilliant short films. A bottle is …

 “There’s a moment where you want to pass the voice on to the next generation,” says the artist Francis Alÿs. In 1999, playing children from many countries around the world started becoming the main subjects of his brilliant short films. A bottle is …

 “There’s a moment where you want to pass the voice on to the next generation,” says the artist Francis Alÿs. In 1999, playing children from many countries around the world started becoming the main subjects of his brilliant short films. A bottle is …

 “There’s a moment where you want to pass the voice on to the next generation,” says the artist Francis Alÿs. In 1999, playing children from many countries around the world started becoming the main subjects of his brilliant short films. A bottle is …

 “There’s a moment where you want to pass the voice on to the next generation,” says the artist Francis Alÿs. In 1999, playing children from many countries around the world started becoming the main subjects of his brilliant short films. A bottle is …

 “There’s a moment where you want to pass the voice on to the next generation,” says the artist Francis Alÿs. In 1999, playing children from many countries around the world started becoming the main subjects of his brilliant short films. A bottle is …

With its praxis of "Instant Composition Conducting", the Vienna Improvisers Orchestra is the first large ensemble in Austria to take up a discourse on non-written sound organisation that goes back to Bruno Maderna, John Zorn and Frank Zappa, among others, and which was …

The programme brings together female composers from different generations: Edith Lejet with shimmering soundscapes, Tamara Friebel with the wing flaps of a butterfly, Galina Ustvolskaya with radical sonata and Farnaz Modarresifar with three new works. A parcours of female voices. …

This time around, pupils from music schools of the City of Vienna play the Matinée Petite within the context of exhibition Nie endgültig! Das Museum im Wandel [Never final! The museum in transition]. "Never final" – this formula coined by Hertha Firnberg, Austria's …

The Korean composer Unsuk Chin came to Germany in 1988 and is one of the most renowned composers of our time. In 2024, she was awarded the Ernst von Siemens Music Prize, which is considered the "Nobel Prize for Music". Her music deliberately …

The Korean composer Unsuk Chin came to Germany in 1988 and is one of the most renowned composers of our time. In 2024, she was awarded the Ernst von Siemens Music Prize, which is considered the "Nobel Prize for Music". Her music deliberately …

The Korean composer Unsuk Chin came to Germany in 1988 and is one of the most renowned composers of our time. In 2024, she was awarded the Ernst von Siemens Music Prize, which is considered the "Nobel Prize for Music". Her music deliberately …

The Korean composer Unsuk Chin came to Germany in 1988 and is one of the most renowned composers of our time. In 2024, she was awarded the Ernst von Siemens Music Prize, which is considered the "Nobel Prize for Music". Her music deliberately …

The Korean composer Unsuk Chin came to Germany in 1988 and is one of the most renowned composers of our time. In 2024, she was awarded the Ernst von Siemens Music Prize, which is considered the "Nobel Prize for Music". Her music deliberately …

The South Korean all-star ensemble WhatWhy Art make their Austrian debut and, together with the artist Hyunju Oh and the composer Sebastian Claren, who lives in Seoul and Berlin, takes a long look at the language of the sound and form of the …

Dark shadows lie over the diverse scenes of contemporary music within the post-Soviet territory, where violent geopolitical conflicts have been taking place for years. The dialogue between composers and performers between Tbilisi and Minsk, Yerevan and Moscow, Tashkent and Kyiv, which was once …

In 2016, the Viennese trio Blueblut composed a new live soundtrack to John Ford's classic silent western Three Bad Men. With imagination, humour, surprising sounds and a lot of enthusiasm, they bring into the present the story of the battle between good and …

This ensemble understands itself as a soloist ensemble with variable instrumentation and gives the MUK concert series its name with performances in the Mozart Hall and the Glass Hall, among others. At the centre of it all are key works of contemporary music, …

At noid, banana boxes transform into resonance chambers: they carry the voices of global flows of goods, they tell of movement, loss and re-orientation. With sounds contributed by Ilia Belorukov, Angélica Castelló, dieb13 a.k.a. Dieter Kovačič, Marina Džukljev and Saleh Rozat. …

At noid, banana boxes transform into resonance chambers: they carry the voices of global flows of goods, they tell of movement, loss and re-orientation. With sounds contributed by Ilia Belorukov, Angélica Castelló, dieb13 a.k.a. Dieter Kovačič, Marina Džukljev and Saleh Rozat. …

Organic processes and digital technologies meet with the help of bodies. With the performative and hybrid commissioned compositions of this programme, and with a hint of science fiction, the young Austrian duo strings & noise approaches a poetics of the body and the …

The Korean composer Unsuk Chin came to Germany in 1988 and is one of the most renowned composers of our time. In 2024, she was awarded the Ernst von Siemens Music Prize, which is considered the "Nobel Prize for Music". Her music deliberately …